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  • 1960 1.0

    奇袭

    抗美援朝战争期间,志愿军首长交给某部连长方勇(张勇手 饰)一个艰巨任务,让其带领一支侦察队深入敌占区,炸毁一座敌援军必经之路——康平桥。领受任务后,方勇带队日夜兼程,巧妙的绕过敌人的雷区封锁带。在过公路时,他们伪装成美军巡逻队,一班长(邢吉田 饰)化妆成美国佬对在公路上临时露营的李伪车队哇哇乱叫,敌上尉(谢万和 饰)不知真伪,只好带车队悻悻离去。他们迅速通过阿玛妮(曲云 饰)和游击队员朴金玉(袁霞 饰)取得联系。之后他们化装成伤兵,骗取一辆吉普车开到桥头,摸清了敌人桥头的火力布防及大桥结构。此时,敌人发现丢失了吉普车,开枪拦截,方勇驾车疾驶离开,敌人摩托车队穷追不舍,情急中方勇弃车摆脱了敌人。当敌上校听说康平桥上发现共军时,绝望地大喊“完了”......©豆瓣

  • 2021 8.0

    秘不可言

    相恋四周年纪念日当晚,舒敏离奇失踪,案发现场一片狼藉,男友向泽被警方列为头号嫌疑人。神秘密室,幽幽海墅,一段错综复杂的迷宗魅影,一袭精心策划的爱的骗局。旧事.新恨,“相杀相爱”。一首关乎爱情.亲情.友情的冰与火之歌。

  • 2021 5.0

    民间怪谈录

    传闻做阴门活儿,能跟鬼神打交道,关于“四小阴门”流传着一句市井顺口溜:刽子手的刀,墙上悬;仵作的眼睛,看得见;扎纸匠的手艺,活又现;二皮匠的针线,走皮面。这些扎根本土的诡秘行业,杂糅着坊间传奇,成为民间流传的志怪奇谈。剧集聚焦这个神秘的职业群体,讲述了民国初年,林家镇上发生的一系列离奇古怪的命案。一个婢女死在城隍庙尸体却不翼而飞;连环杀人案现场,尸体旁竟摆放着一只红彤彤脸庞的纸人,有传言说是纸人杀人……这些案件一个比一个蹊跷、诡异,且都与诡秘的“四小阴门”有所关联。警察无从下手,只好去请有着“民间小神探”之称的“二皮匠”沈小寒(彭禺厶饰演)前来协助破案。神鬼志异荒唐事,红尘断案民间人。诡异的背后是鬼怪作祟还是人心叵测,神秘真相即将被揭开。

  • 2020 2.0

    世界第一初恋:求婚篇

    中村春菊漫画《世界第一初恋》的动画化新作《世界第一初恋~求婚篇~》确定为剧场版,将于2020年2月在日本上映!主题曲由喜多修平演唱。

  • 2023 9.0
  • 2017 1.0

    雪人

    《雪人》根据挪威作家Jo Nesbo在2007年出版的同名畅销小说改编,这部书是他以奥斯陆侦探哈里(Harry Hole)为主角创作的第七本小说。故事主要讲述哈里在调查一位年轻妈妈失踪案件的时候,发现受害人院子里出现了一个神秘的雪人,而且它脖子上还围着这家孩子送给妈妈做圣诞礼物的粉红围巾。由此,哈里挖出了一系列有着相同情况的陈年旧案,一个总爱在落下第一场雪时作案的连环杀人犯浮出了水面…… 《雪人》将由环球公司和Working Title公司联合摄制,如果影片反响良好的话,Jo Nesbo的另外六部侦探哈里小说也将有机会登上大银幕。

  • 1995 10.0

    都会迷情

    渣男到处泡女人,事后不但不负责任而且还杀掉女人,伪装成女人自杀,最后被绳之以法的故事。

  • 2021 3.0

    谁陷害圣诞老人

    Wonderfast is a leading delivery company all year round, except on Christmas. In order to destroy Santa, they manage to infiltrate Genny Catalano, "The King of the Box" or more likely “The King of the Hoax”…

  • 2020 4.0

    九河龙蛇

    本片根据天下霸唱小说《火神》改编,故事发生在民国年间九河下梢、鱼龙混杂的九河城,神偷钱不二意外获得警探身份,决心去救被捕在侦探社中的师弟侠盗张立三,却在上任之初就遇到了棘手的石化悬案。一名包工头在拆毁了火神庙后遭到“诅咒”,在众目睽睽之下成为一尊石像。随后火神的“诅咒”更是在全城蔓延,神偷钱不二、侠盗张立三、苏叶、小神婆半夏被迫卷入其中,开始寻找真相,并意外发现了魔古道筹划已久的惊天阴谋......

  • 2020 7.0

    又见牡丹亭

    影片记述了老一辈戏曲艺术家还沉浸在要把世界经典戏曲《牡丹亭》的传承进行到底的时候,年轻人却在外来文化的冲击下,改变了自己的追求,两种文化必然会发生激烈的碰撞。...

  • 2015 1.0

    贴着你心跳[电影解说]

    影片根据发生在青岛市多起捐献器官的真实感人故事创作而成,是国内第一部讲述器官捐献的当代都市爱情和道德伦理剧。

  • 1948 2.0

    痴心女子负心郎[电影解说]

    Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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